Sweet Talk: A Conversation with Thuraya Al-Basqsami and Monira Al Qadiri

I feel like there’s a forest inside me, full of vegetation. Like a bowl of tabbouleh.

Louvre Me Tender

Soft power plays

Bidoun Mix 3: Ghazal

Mix Suedi

The Video People

1990s VHS Tehran Cinephiliacs

Bidoun Mix 2: Deena Abdelwahed


Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part II

Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”


Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore

The Pasha Resurrects: What ‘Isa Ibn Hisham Told Us

Sometime in the late 1890s, a struggling writer named ‘Isa took a walk in the City of the Dead.

The Delicacy of Radicalism


In all cases, it was a beautiful film to make

Amr Ezzat has always had vivid dreams.

Youssef Rakha

The writer Youssef Rakha is the only child of a former Marxist lawyer and a translator.

Salima Ikram

I mean, if all else fails, I’ll always have butchery. Or I guess I could work in a funeral home.

Laila Soueif

For decades, Laila Soueif has been a familiar sight at protests across Cairo.

William Wells

Down at the end of Nabrawy and Hussein El Me’mar Pasha streets, just minutes from Tahrir Square, lies one of those improbable Cairo junctions that seem to suggest an entire world.


REZA ABDOH: THEATRE VISIONARY Documentary Screening in Los Angeles

Reza Abdoh (1963-1995) was a renown Iranian-American director and playwright known for his large-scale, experimental theatre productions. When he died of AIDS in 1995 at the age of 32, he was already one of the most compelling figures in American theater. Plays like Bogeyman, Quotations from a Ruined City, and Tight White Right were known for their hallucinatory dreamscapes, ferocious energy, and sheer sensory overload. Abdoh’s aesthetic language borrowed from BDSM, raves, talk shows, and the history of avant-garde theater. Twenty years after his passing, his company members, collaborators, friends, and family have come together to create a filmic tribute to his theatrical genius.

Directed by Abdoh’s long-time friend and collaborator, filmmaker Adam Soch, this feature-length documentary incorporates rare live performance footage and interviews, providing unprecedented insights into Abdoh’s life and his idiosyncratic creative process. Join the filmmaker and original members of Abdoh’s company, Dar A Luz, for a discussion preceding the screening.

Click here to read an interview with Abdoh’s brother, Salar, from Bidoun #27.

Wednesday, April 12, 7PM
356 Mission Road
Los Angeles, CA 90033

Hair Is for Headbanging: Heavy metal in Iran

A strangely easy coexistence of the macabre and the mundane met us at every juncture as we peered into the Islamic Republic’s metal scene.

Forms of Compensation

Forms of Compensation is a series of twenty-one reproductions of iconic modern and contemporary artworks, with an emphasis on sculptures, paintings and prints by Arab and Iranian artists.

Strike the Empire Back: Episode IV: The Lord, The Homeland, The Leader

Magazine Bazaar: John Kennedy, publisher of Haunted Attraction

I can tell you that after making my way through 235 haunted houses… nothing scares people like a chainsaw.

Childrens Museum

Isabella Stewart Gardner Museum, Boston, 1997 After an excursion to the Isabella Stewart Gardner Museum, artist Vadim Fishkin invited a group of students, ranging in age from seven to twelve years old, to create their own museums at home, making use of any items that were significant to them.